Sam Wolson

Sam Wolson is a visual storyteller whose works at the intersection of documentary and emerging technology. He currently serves as the Visual Features Editor at The New Yorker, an advisor at Agog, and a director, photographer, and journalist. His projects have premiered at major festivals including Sundance, Venice, and SXSW. Notable credits include co-directing We Who Remain, the first character-driven VR film shot in an active warzone. His immersive project Reeducated earned both a Peabody Award and an Emmy, and his interactive documentary Cleared by Fire won a second Peabody Award in 2026.

Mr.Wolson@gmail.com
The New YorkerJuly 2026

Can A.I. Keep a Parent Alive?

You can now make a virtual replica of a loved one. The question is what it can give you in return.

The New YorkerMarch 2026

A Firsthand Account of the War in Iran

In an interactive story, a civilian in Tehran chronicles a country trapped between bombardment and repression — too terrorized to move, let alone start an uprising.

The New YorkerJanuary 2026

A Massacre in Mashhad

Under the cover of an internet blackout, Iranian security forces killed hundreds of demonstrators. Only now are details of the carnage starting to emerge.

The New YorkerNovember 2025

In Gaza, Home Is Just a Memory

After the ceasefire, many Palestinians who were displaced during the war are still grieving the homes they can't return to—and which they often had to evacuate in minutes.

The New YorkerSeptember 2025

The Four Horsemen Team Rides Again

Video for Helen Rosner's restaurant review of I Cavallini, the new Italian spot from the Four Horsemen team in Williamsburg, Brooklyn.

Nieman StoryboardSeptember 2025

The New Yorker's Sam Wolson on Interactive Storytelling

The Interactives Visual Features Editor discusses the intersection of VR, interactive design, documentary work, and reporting.

The New YorkerAugust 2025

A Mother and Her Trans Teen Decide to Leave the U.S.

After President Trump issued an executive order restricting access to gender-affirming care for minors, one family made the difficult choice to relocate to Mexico City.

SPD 61 · Gold Medal · Original Digital Illustration / Photo-Illustration · 2026
SPD 61 · Silver Medal · Custom Feature Design: Single Page · 2026
GLAAD Media Awards · Outstanding Online Journalism · Winner · 2026
ASME Awards · Best Illustrated Stories · Finalist · 2026
The New YorkerJune 2025

How the Broadway Musical "Maybe Happy Ending" Creates Visual Magic

A behind-the-scenes look at the visual storytelling behind the acclaimed Broadway musical.

The New YorkerMay 2025

Times Square's Revolving Restaurant Comes Around Again

Can Danny Meyer make the View transcend its touristy gimmick?

The New YorkerMay 2025

How Lorna Simpson Broke the Frame

Simpson's wryly evasive photos, films, collages—and now paintings—peel back the layers of our looking.

The New YorkerSeptember 2024

Cleared by Fire

An illustrated interactive documentary that uses 3D reconstructions of witness testimony to investigate the killing of 24 civilians by U.S. Marines during the Iraq War.

Peabody Award · Winner · 2026
Interactive component of In the Dark Season 3 — winner of the Pulitzer Prize for Audio Reporting
The New YorkerAugust 2024

The Haditha Massacre Photos That the Military Didn't Want the World to See

When U.S. Marines killed twenty-four people in an Iraqi town, they also recorded the aftermath of their actions. For years, the military tried to keep these photos from the public.

Interactive component of In the Dark Season 3 — winner of the Pulitzer Prize for Audio Reporting
The New YorkerNovember 2023

One Family's Perilous Escape from Gaza City

When Israel invaded Kamal Al-Mashharawi's neighborhood, he crowded into a basement with his extended family. "The world is closing in on us," he wrote on WhatsApp.

The New YorkerNovember 2023

Christoph Niemann's "Create Your Own Cover with Till-E"

The artist arches an eyebrow at our robot overlords in the magazine's first AI-themed interactive cover, inviting readers to generate their own New Yorker covers.

The New YorkerOctober 2023

Another Hospital in Gaza Is Bleeding

Doctors in southern Gaza are overwhelmed by the dead and the wounded—and by displaced Palestinians sleeping on the floor.

The New YorkerOctober 2023

The Crimes Behind the Seafood You Eat

China has invested heavily in an armada of far-flung fishing vessels, in part to extend its global influence. This maritime expansion has come at grave human cost.

The New YorkerSeptember 2023

The Era-Defining Aesthetic of "In the Mood for Love"

Wong Kar Wai's 2000 masterwork has influenced filmmakers ranging from Barry Jenkins to Sofia Coppola—and innumerable teens on TikTok.

ASME · Best Digital Design · Winner · 2024
The New YorkerJune 2023

The Case for and Against Ed Sheeran

The pop singer's trial for copyright infringement of Marvin Gaye and Ed Townsend's "Let's Get It On" highlights how hard it is to draw the property lines of pop.

The New YorkerJune 2023

Masha Titova's "The Art of Music"

The magazine publishes its first synesthetic, collaborative, and interactive cover — a piece that merges sound, color, and motion in a single visual experience.

The New YorkerApril 2023

A Security Camera for the Planet

A new satellite, funded by a nonprofit, aims to pinpoint emissions of methane—a gas that plays a major role in global warming.

Yahoo EntertainmentMay 2022

Visit Tunisia's classic 'Star Wars' locations in this exclusive 3D virtual tour

Three iconic Tatooine filming locations still standing in Tunisia — the Lars Homestead dome, Hotel Sidi Idriss in Matmata, and the Mos Espa marketplace — brought to life in an immersive 3D virtual tour for the 45th anniversary of A New Hope.

The New YorkerMarch 2021

Reeducated

A new film takes viewers inside Xinjiang's secret detention camps for Uighurs and other predominantly Muslim minorities.

"Reeducated offers a glimpse into a horrifying world obscured from public view. … It's a striking piece of 360 cinema that makes a clear argument for the unique affordances of immersive formats for telling stories."

— SXSW Virtual Cinema Jury, 2021
Peabody Award 2022 — Winner
Emmy Award 2022 — Outstanding Interactive Media
ONA Awards 2021 — Excellence in Immersive Storytelling
SXSW Film Festival 2021 — Special Jury Recognition for Immersive Journalism
VRHAM! Festival 2021 — VRHAMMY Grand Prize
New Images Festival 2021 — Special Jury Prize
Telly Award 2022 — Bronze Medal
Overseas Press Club Award 2022 — Citation, Best International Reporting in Human Rights
Deadline Club Award 2022 — Digital Innovation Winner
XR MagazineMarch 2021

"To bring people in inaccessible physical and emotional spaces"

An in-depth interview on the making of Reeducated, a VR documentary that takes viewers inside Xinjiang's reeducation camps through the recollections of three former detainees.

The New YorkerFebruary 2021

Inside Xinjiang's Prison State

Survivors detail the scope of China's campaign of persecution against ethnic and religious minorities.

2021

Xinjiang Portraits

Portraits commissioned by The New Yorker for Inside Xinjiang's Prison State.

Sundance 2020

After The Fallout

A 360-degree immersive documentary evoking life in Fukushima ten years after the 2011 nuclear disaster — shot in the exclusion zone with photogrammetry recreations of the Daiichi plant control room.

Co-Director · Editor · Co-DP · Producer
2020

Portraits + Singles

A collection of portrait and single images from projects and publications worldwide.

J360 · Google · Knight Foundation2018

Volum

An open-source multi-camera volumetric video system built to make field-friendly volumetric capture accessible to journalists and storytellers — freeing the technology from studio environments for the first time.

Co-Creator · Co-Developer
National GeographicDecember 2018

The Okavango Experience

A 4-part VR series following a team of conservationists on an expedition across the Okavango Delta in Botswana, one of the last surviving wetland wildernesses on the planet.

The New York TimesNovember 2017

Protesting Coal Mining From a Treehouse

For years, activists have been protesting the expansion of coal mining in the Hambach Forest in Germany by living in treehouses.

The New York TimesNovember 2017

Visit an Austrian Village, Replicated in China

Enter Hallstatt, Austria, a small town in the Alps, and its replica in southern China in 360 video.

The New York TimesMay 2017

A Bird's Eye View in Laikipia

Here are three ways to spy wildlife, large and small, in the Laikipia region of Kenya.

The New York TimesApril 2017

Selfie Lessons From a Chimp

While reporting at Sweetwaters Chimpanzee Sanctuary in Kenya, a chimp stole Sam Wolson's camera. What resulted: an extended 360 selfie.

The New York TimesMarch 2017

We Who Remain

An immersive experience that takes you into the heart of a forgotten conflict in the Nuba Mountains of Sudan.

2017

Nuba

Behind the scenes making We Who Remain in the Nuba mountains of Sudan.

2017

Okavango Delta

Behind the scenes on the Okavango Experience series for National Geographic.

2017

Cobalt Mines in DRC

Inside the artisanal cobalt mines of the Democratic Republic of Congo, which supply the raw materials for the world's electronics.

The New York TimesJanuary 2017

Welcome to Hell, Michigan

John Colone, the unofficial mayor of Hell, Mich., has put Hell up for sale. He's run the roadside attraction for 18 years, exploiting nearly every joke imaginable.

The New York TimesDecember 2016

36 Hours in Nairobi

From giraffe kisses to country music, spend some time with the delights of Kenya's capital.

The New York TimesNovember 2016

The Urban Shepherds of Nairobi

Urbanization and drought have depleted pastureland around Kenya's capital, leaving cattle to graze along highways and in cemeteries of the city.

2016

Tin Roofs

Mathare settlement, Nairobi — one of Kenya's largest informal slums, home to an estimated 400,000 people.

2016

Tour du Rwanda

The Rwandan cycling team and international development — turning young men and women of humble origins into world-class athletes.

2015

This Life I Lead

A long-form photo essay following Shanon Fulcher through the ups and downs of life in Oakland over three years.

2015

Oakland Protest

BLM coverage for the San Francisco Chronicle — lyrical, confusing, ghostly images invoking the spirit of protest and the slow nature of social change.

SF Chronicle2015

In the Park with Sam Wolson

An interview about documentary photography, e-waste in Kenya, early influences, and the cross-section between beauty and impact — conducted walking around Lake Merritt in Oakland.

2015

Diamond in the Rough

Exploring the meaning of a cliché.

2015

E-Waste

Electronic waste in Kenya — the country's fastest-growing waste stream, hidden inside a system that profits from discarded technology.

2014

How We Move

Transportation in Bogotá, São Paulo, and Nairobi — exploring how cities of the global south move more than half the world's population.

2014

My Own Way

2013

Rey

Reymond Mapakata travels from his cramped life at the Central Methodist Church in Johannesburg to his home village in Zimbabwe.

2012

Burn

Burning Man — shot for Slate Magazine in the Black Rock Desert of Nevada.

SlateSeptember 2011

Burning Man 2011: A Week on the Playa

Deadspin2010

How a College Kid's Photograph Helped Launch Denard Robinson's Heisman Candidacy